Why are modern string bows concave instead of convex?
Every bow that I have seen used to play an orchestral stringed instrument, regardless of the style of music being played, has the same concave design. By concave I mean that there is a slight curve of the wood towards the bow hair (which is pronounced by loosening the bow).
As best I can tell, bows of the 17th century were convex. Why are convex bows virtually never seen in use now?
bow orchestral-strings archeterie
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Every bow that I have seen used to play an orchestral stringed instrument, regardless of the style of music being played, has the same concave design. By concave I mean that there is a slight curve of the wood towards the bow hair (which is pronounced by loosening the bow).
As best I can tell, bows of the 17th century were convex. Why are convex bows virtually never seen in use now?
bow orchestral-strings archeterie
asked 3 hours ago
feetwetfeetwet
1175
New contributor
feetwet is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
add a comment |
Every bow that I have seen used to play an orchestral stringed instrument, regardless of the style of music being played, has the same concave design. By concave I mean that there is a slight curve of the wood towards the bow hair (which is pronounced by loosening the bow).
As best I can tell, bows of the 17th century were convex. Why are convex bows virtually never seen in use now?
bow orchestral-strings archeterie
asked 3 hours ago
feetwetfeetwet
1175
New contributor
feetwet is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
Every bow that I have seen used to play an orchestral stringed instrument, regardless of the style of music being played, has the same concave design. By concave I mean that there is a slight curve of the wood towards the bow hair (which is pronounced by loosening the bow).
As best I can tell, bows of the 17th century were convex. Why are convex bows virtually never seen in use now?
bow orchestral-strings archeterie
bow orchestral-strings archeterie
asked 3 hours ago
feetwetfeetwet
1175
New contributor
feetwet is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
asked 3 hours ago
feetwetfeetwet
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New contributor
feetwet is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
asked 3 hours ago
feetwetfeetwet
1175
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feetwet is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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asked 3 hours ago
feetwetfeetwet
1175
asked 3 hours ago
feetwetfeetwet
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1175
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feetwet is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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1 Answer
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It's a fun experience to play with a convex Baroque bow, but if you've ever tried to use it for anything romantic or later, you'll quickly want to get back to the concave Tourte design that everybody has nowadays.
The thing with convex bows is that they bounce around like mad. This can work quite well for the elegant-rhythmic dance feel of Baroque and early Classical music. But it works completely against you if you need biting attack and/or dramatic long tenuto notes. With such a playing style, a baroque bow feels like immersing styrofoam in water: the string seems to outright repel the bow. Whereas a Tourte bow can pretty easily be forced to “sink into he string” for straight sustained notes.
Some “historically informed” performers do use convex bows for Baroque music, but it's not like a Tourte bow doesn't still have some bounce and can convey that gracious character, especially when held in “Baroque position” (i.e. closer to the center of gravity, rather than right at the frog).
answered 2 hours ago
leftaroundaboutleftaroundabout
19.1k3383
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1 Answer
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1 Answer
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It's a fun experience to play with a convex Baroque bow, but if you've ever tried to use it for anything romantic or later, you'll quickly want to get back to the concave Tourte design that everybody has nowadays.
The thing with convex bows is that they bounce around like mad. This can work quite well for the elegant-rhythmic dance feel of Baroque and early Classical music. But it works completely against you if you need biting attack and/or dramatic long tenuto notes. With such a playing style, a baroque bow feels like immersing styrofoam in water: the string seems to outright repel the bow. Whereas a Tourte bow can pretty easily be forced to “sink into he string” for straight sustained notes.
Some “historically informed” performers do use convex bows for Baroque music, but it's not like a Tourte bow doesn't still have some bounce and can convey that gracious character, especially when held in “Baroque position” (i.e. closer to the center of gravity, rather than right at the frog).
answered 2 hours ago
leftaroundaboutleftaroundabout
19.1k3383
add a comment |
It's a fun experience to play with a convex Baroque bow, but if you've ever tried to use it for anything romantic or later, you'll quickly want to get back to the concave Tourte design that everybody has nowadays.
The thing with convex bows is that they bounce around like mad. This can work quite well for the elegant-rhythmic dance feel of Baroque and early Classical music. But it works completely against you if you need biting attack and/or dramatic long tenuto notes. With such a playing style, a baroque bow feels like immersing styrofoam in water: the string seems to outright repel the bow. Whereas a Tourte bow can pretty easily be forced to “sink into he string” for straight sustained notes.
Some “historically informed” performers do use convex bows for Baroque music, but it's not like a Tourte bow doesn't still have some bounce and can convey that gracious character, especially when held in “Baroque position” (i.e. closer to the center of gravity, rather than right at the frog).
answered 2 hours ago
leftaroundaboutleftaroundabout
19.1k3383
add a comment |
It's a fun experience to play with a convex Baroque bow, but if you've ever tried to use it for anything romantic or later, you'll quickly want to get back to the concave Tourte design that everybody has nowadays.
The thing with convex bows is that they bounce around like mad. This can work quite well for the elegant-rhythmic dance feel of Baroque and early Classical music. But it works completely against you if you need biting attack and/or dramatic long tenuto notes. With such a playing style, a baroque bow feels like immersing styrofoam in water: the string seems to outright repel the bow. Whereas a Tourte bow can pretty easily be forced to “sink into he string” for straight sustained notes.
Some “historically informed” performers do use convex bows for Baroque music, but it's not like a Tourte bow doesn't still have some bounce and can convey that gracious character, especially when held in “Baroque position” (i.e. closer to the center of gravity, rather than right at the frog).
answered 2 hours ago
leftaroundaboutleftaroundabout
19.1k3383
It's a fun experience to play with a convex Baroque bow, but if you've ever tried to use it for anything romantic or later, you'll quickly want to get back to the concave Tourte design that everybody has nowadays.
The thing with convex bows is that they bounce around like mad. This can work quite well for the elegant-rhythmic dance feel of Baroque and early Classical music. But it works completely against you if you need biting attack and/or dramatic long tenuto notes. With such a playing style, a baroque bow feels like immersing styrofoam in water: the string seems to outright repel the bow. Whereas a Tourte bow can pretty easily be forced to “sink into he string” for straight sustained notes.
Some “historically informed” performers do use convex bows for Baroque music, but it's not like a Tourte bow doesn't still have some bounce and can convey that gracious character, especially when held in “Baroque position” (i.e. closer to the center of gravity, rather than right at the frog).
answered 2 hours ago
leftaroundaboutleftaroundabout
19.1k3383
answered 2 hours ago
leftaroundaboutleftaroundabout
19.1k3383
answered 2 hours ago
leftaroundaboutleftaroundabout
19.1k3383
answered 2 hours ago
leftaroundaboutleftaroundabout
19.1k3383
19.1k3383
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